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about two and a half seconds to get down from the carriage
and up the book shop steps onto the porch. In their struggle
not to fall on their faces, they grabbed their stuff and ran.)
Next, there's a wonderfully slow
pan of our green and white, maple leaf-shaped book shop sign.
It is shown hanging over our vine-covered wrought-iron fence
to which the director had instructed some technician to tape
(or twistie) a bountiful amount of purple wisteria blossoms.
Then, the by-this-time-winded family is joined on the front
porch by scampering pee-wee talents, that is, five or six adorable
local child actors whose parent-handlers watched over them carefully
from just beyond the cameras. The pee-wees were instructed to
"LET'S GO! MOVE IT!" when the family whizzed by so
the kids could be shot scampering excitedly into the smoke-filled
shop. Why smoke-filled? Very simple. Because the director, who,
rumor had it, directed the Pepsi ad in which Michael Jackson's
hair caught on fire, likes interior shots to be smoke-filled.
Anyway, nobody caught on fire and it would be hard to actually
prove that the pee-wees will never grow to their full height,
although I'm sure a case could be made. Finally, the cameras
show a very animated, spellbinding Colleen Salley, a professional
story-teller who teaches children's literature at the University
of New Orleans. While brandishing a Gaston-the-Cajun-Alligator
puppet, she reads Gaston Goes to Mardi Gras by James
Rice to very spellbound kids.
This story of our Visa commercial
not only has a happy ending, which is that out-of-town and tourist
sales have greatly increased at the Children's Book Shop, it
also has a heroine. The person who pulled off this awesome coup
is Cindy Dike, the managing
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partner of Maple Street Children's Book Shop. She got us free
advertising that would normally cost more than $500,000.00 (just
to produce the commercial, not counting the air time) and which
would have put a serious dent in her shop's annual advertising
budget of $300.
The excitement started more than
a year ago in May of 1991 when Adina Watchtel of BBDO, an advertising
agency in New York, called Jane Stickney, who works at Maple
Street Book Shop next door to Cindy. Offering to pay for all
of out Federal Express bills, Adina asked that we sent her a
batch of photographs and any promotional material we had on
the two shops on Maple Street. She explained that Visa wanted
to do a bookshop commercial and that she had noticed in a tourist
guide that we did not take American Express (Hurdle No. 1).
Figuring it was a very long shot since Adina said there were
other shops under consideration and having plenty of other work
to do, Jane still offered to dig through our "archives" (cardboard
boxes, old newspapers, scattered photos, lots of roaches) and
get the package off that afternoon. After a few days, Adina
called Cindy to say that the Children's Book Shop was still
in the running but she needed more photos, inside and out, IMMEDIATELY,
Federal Express, charge it to their account. Cindy hustled down
to the Camera Shop, got film and help from them, and sent off
the new photos, only to hear a few days later from Jane that
Adina had called to say that "they were not going ahead with
the project at this time."
The process picks up a year later
when Adina called Cindy to say that she couldn't find the batch
of stuff we sent, although it was probably there somewhere,
and maybe it'd be easier if we just
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