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Chaim Potok and Harriette Stock
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The Go-Between by L. P. Hartley (classic)This mid-20th century
classic British novel is slow but sure. In quiet, subtle language
the author reveals an adult world of deceit, treachery, and eventual
tragedy from a boys point of view. The reader sees, or at
least suspects, the truth that is often unfathomable to the young
protagonist. Reminded me of two other books I adore: The Good
Soldier and The Remains of the Day.
The Black Echo, The Black Ice, and
The Concrete Blonde by Edgar Award-winning
Michael Connelly (mystery)
Demoted LAPD cop Harry Bosch is smart, good-hearted, cynical, and
the odds are against him since his fall from grace. But that doesnt
stop him from pushing hard, talking tough, and taking risks. Dry
humor and intelligent detecting add to the pleasure of hanging out
with Harry in these three equally good police procedurals.
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Blood Sympathy by Reginald Hill (mystery)
From a veteran British mystery writer who I hope hasnt gotten
sick of writng Dalziel and Pascoe novels comes this fun mystery
introducing Joe Sixsmith. I was captured by novice detective Joes
observation that "Clients expected to find private eyes with their
feet on their desks, and as short, black, balding, redundant lathe-operator
was likely to disappoint most of their other expectations, it seemed
only fair to satisfy them in this." A cozy, satisfying, witty book.
Shinju by Laura Joh Rowland (mystery)
This first novel is a gem, a prize, a must-read for everybody, no
matter what your tastes arefiction, history, romance, or morality
tale. Set in 1698 Japan, the action starts when the bodies of a
man and a woman bound together are dragged out of the Sumida River.
Shinju, a ritual double suicide, is suspected until Sano, a samurai,
comes on the scene. Youll be pulling for him the whole exciting
time.
Barchester Towers, Doctor Thorne, and
He Knew He Was Right by Anthony Trollope (classic)
I have never read a Trollope I didnt love. These three titles
are excellent examples of his wise, well-ordered world of the mid-1800s.
With always kind yet incisive humor on every page, constant plot
advancement (even though mostly baby steps), and colorful characters,
his books are a reassuring refuge from what often feels like an
out-of-whack world. He Knew He Was Right (not a part of the
Barchester novels) is particularly pleasurable and did not seem
overly long even at 930 pages.
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